pensionnaire
Birane Ba could never imagine that a poem he recited in class would change his life. His professor of French suggested he join the school theater club, but a whole year passed before he did. It was love at first performance, which was only confirmed in 2009 when he attended a presentation of Eduardo De Filippo’s La Grande Magia directed by Dan Jemmett at the Salle Richelieu. The teenager promised to himself that he would return to The Comédie-Française, but this time to perform on stage.
During his training at the Vernon Municipal Conservatory, and later at the Rouen Regional Conservatory, Birane Ba discovered Georges Feydeau by playing in Feu la mère de Madame, Sergi Belbel with Après la pluie and Shakespeare through Hamlet. Subsequently, as part of a Cours Florent Classe Libre, he worked on Ibsen’s Peer Gynt with Jean-Pierre Garnier, and on Jean-Luc Lagarce’s Du luxe et de l’impuissance as well as Victor Hugo’s Ruy Blas with Julie Brochen.
In 2016, Birane Ba enrolled at the Conservatoire national supérieur d’art dramatique (CNSAD) to be trained by Nathalie Bécue who introduced him to Racine through Bérénice. He returned to this playwright with Mithridate in the class taught by Nada Strancar who also introduced him to Corneille by working on Suréna. Through Robin Renucci’s course, he became familiar with the techniques of diction. At the same time, Birane Ba could be seen in The Prayer (La Prière), a film by Cédric Kahn released in cinemas in 2017, and in Paris etc, a film made for television by Zabou Breitman broadcast the same year on Canal+. On stage, he played Molière’s Dom Juan directed by Anne Coutureau at the Théâtre de la Tempête before going on tour, and Mohamed Rouabhi’s Jamais seul by Patrick Pineau staged at Bobigny’s MC93, which was also followed by a tour through France. In June 2019, he played in Matei Visniec’s Jeanne et le feu, as part of a CNSAD graduation workshop directed by Lisa Toromanian.
Birane Ba was first engaged as assistant artist at the Comédie-Française in September 2018, and performed as Octave in Molière’s Scapin the Schemer (Les Fourberies de Scapin) by Denis Podalydès on tour (later rerun at the Salle Richelieu), as well as the title role in Racine’s Bajazet staged by Éric Ruf. Having become pensionnaire of the Company on the 25th February 2019, Birane Ba rejoined Éric Ruf who entrusted him with the role of Ludovico Marsili in Bertolt Brecht’s Life of Galileo. Lilo Baur saw him as American boxer Rugby, in her staging of Feydeau’s A Flea in Her Ear (La Puce à l’oreille).
During the 2019-2020 season, Birane Ba performs in Georges Feydeau’sA Flea in Her Ear (La Puce à l’oreille) by Lilo Baur at the Salle Richelieu; in Forums by Patrick Goujon, Hélène Grémillon, Maël Piriou, directed by Jeanne Herry at the Théâtre du Vieux-Colombier and in the reruns of Scapin the Schemer (Fourberies de Scapin) by Molière, Racine’s Bajazet and Bertolt Brecht’s Life of Galileo.
Biography as in the press release of La Puce à l’oreille , September 2019.
after Anton Tchekhov adapted and directed by Elsa Granat translated by André Markowicz...
Richelieu
after William Shakespeare adapted, directed and staged by Silvia Costa translated by...
Richelieu
by Paul Claudel staged and directed by Éric Ruf
le Chinois, le Vice-Roi de Naples et un soldat
Richelieu
by Edmond Rostand directed by Emmanuel Daumas
Lignière, Jeune homme, Pâtissier, Poète, Cadet, le Capucin et Mère Marguerite de Jésus
Richelieu
by William Shakespeare Translated by Yves Bonnefoy Directed by Silvia Costa
Sœur fatale, un messager et Assassin (en alternance)
Richelieu
by Molière Directed by Denis Podalydès
Octave, fils d’Argante et amant de Hyacinte (alternating)
Richelieu
by Georges Feydeau Directed by Lilo Baur
Rugby (en alt.)
On tour
by Molière Directed by Clément Hervieu-Léger
Clitandre (alternating)
Richelieu
by Edmond Rostand Directed by Emmanuel Daumas
Lignière, Jeune homme, Pâtissier, Poète, Cadet, le Capucin et Mère Marguerite de Jésus
Richelieu
Bertolt Brecht - Kurt Weil with Elisabeth Hauptmann Adapted and directed by Thomas...
Macheath, chef d’une bande de malfaiteurs
Richelieu
by Georges Feydeau Directed by Lilo Baur
Rugby (en alt.)
Richelieu
Théorème / Je me sens un cœur à aimer...
d'Amine Adjina d’après Pier Paolo Pasolini directed by Amine Adjina et Émilie Prévosteau
le Garçon
Vx-Colombier
by Georges Feydeau Directed by Lilo Baur
Rugby (en alternance)
Richelieu
by Bertolt Brecht Directed by Éric Ruf
Ludovico Marsili et Moine (en alternance)
Richelieu
After George Sand Adapted by Laurent Delvert et Aurélien Hamard-Padis Directed by...
Antonio, ami d'Astolphe
Vx-Colombier
by Molière Directed by Denis Podalydès
Octave
Richelieu
(Molière-Lully, impromptu musical) Text and direction Yoann Gasiorowski
Studio
d’après les frères Grimm Adaptation libre et mise en scène Rose Martine
Hansel
Studio
after the Grimm brothers Freely adapted and directed by Rose Martine
Hansel
Studio
by Jean Racine directed by Éric Ruf
Bajazet
Studio Marigny
by Jean Racine Directed by Éric Ruf
Bajazet
Vx-Colombier
de Patrick Goujon, Hélène Grémillon, Maël Piriou Devised and directed by Jeanne Herry
Jean, Calimero, Titit’, Lucas, Paixetlumiere, Séraphindumonde, Surlechemindelalumiere,...
Vx-Colombier
"Scapin The Schemer" by Molière Directed by Denis Podalydès
Octave (alternately)
Richelieu
Life of Galileo by Bertolt Brecht Directed by Éric Ruf
Ludovico Marsili et Moine (alternately)
Richelieu
A Flea in her ear by Georges Feydeau Directed by Lilo Baur
Rugby (alternately)
Richelieu
Life of Galileo by Bertolt Brecht Directed by Éric Ruf
Ludovico Marsili et Moine (alternately)
Richelieu
Scapin The Schemer by Molière Directed by Denis Podalydès
Octave (Alternating)
Richelieu
La Comédie-Française lance la troisième édition du Salon des métiers du spectacle vivant en visioconférence ! La Comédie-Française est une véritable ruche de près de 80 métiers exercés par 450 personnes qui fabriquent chaque élément des 25 spectacles qu’elle présente chaque saison. Venez les découvrir !
POUR LA SAISON 24-25
En raison du renforcement des mesures de sécurité dans le cadre du plan Vigipirate « Urgence attentat », nous vous demandons de vous présenter 30 minutes avant le début de la représentation afin de faciliter le contrôle.
Nous vous rappelons également qu’un seul sac (de type sac à main, petit sac à dos) par personne est admis dans l’enceinte des trois théâtres de la Comédie-Française. Tout spectateur se présentant muni d’autres sacs (sac de courses, bagage) ou objets encombrants, se verra interdire l’entrée des bâtiments.