pensionnaire
As a child, Jean Chevalier dreamt of becoming a footballer. He joined the training center of the Troyes city club, the ESTAC. At the age of 15, he saw a cousin play in a village theater company and decided to abandon his nascent athletic career to become an actor.
At the Troyes Conservatoire, Pascal Broché introduced him to the poems of Boris Vian, namely Qu’est-ce que vous attendez pour m’aimer. Alain Thierry noticed him and his cousin and suggested they interpret the Jean-Michel Ribes’ texts in his show Le Grand Cabaret, which was touring the Champagne-Ardenne region.
At the age of 19, Jean Chevalier was admitted into the Cours Florent in Paris. Bruno Blairet and Nâzim Boudjenah trained him. Boudjenah wrote the role of the Red Fish especially for him, as part of his staging of Maeterlinck’s Blue Bird (L’Oiseau bleu). Alongside Jean-Pierre Garnier, Jean Chevalier embarked on playing emblematic roles of the repertoire, such as Cyrano de Bergerac in Edmond Rostand’s eponymous play, Karl in Friedrich Schiller’s The Robbers and Leonce in Leonce and Lena by Georg Büchner.
He has joined the Conservatoire national supérieur d’art dramatique in Paris where he attended classes taught by Yann-Joël Collin, Nada Strancar and Didier Sandre. Caroline Marcadé introduced him to dance, Alain Zappfel to singing and Yvo Mentens to the art of clowning. During his third year, after a workshop at the Conservatoire, director Clément Hervieu-Léger offered him a role in Impromptu 1663 based on texts by Molière, which was shown at the Festival d’Avignon in 2017.
Jean Chevalier appeared in Philippe Garrel’s film Lover for a Day (L’Amant d’un jour), which was selected for the Cannes Festival Directors’ Fortnight in May 2017. In September 2017, he played Hippolyte in Seneca’s Phaedra, which was staged by Les Bourlingueurs, a multidisciplinary group originating at the Festival des Effusions in Normandy. With the guitar player Lionel Privat, he presented the Bourvil, du rire aux larmes song recital at the Hall de la Chanson in the Parc de la Villette. In December 2017, he played at the Théâtre Déjazet in Surtout ne vous inquiétez pas, a show staged by Yvo Mentens for the 2017 graduating the students of the Conservatoire.
Jean Chevalier became pensionnaire of the Comédie-Française on the 1st of February 2018. He reunited with Clément Hervieu-Léger who cast him as Otto in The Awakening of Spring by Frank Wedekind.
During the 2018/2019 season, Jean Chevalier plays in Bergman’s Fanny and Alexandre by Julie Deliquet and in Brecht’s Life of Galileo by Éric Ruf. He can also be seen in the rerun of Victor Hugo’s Lucrezia Borgia and Molière’s Les Fourberies de Scapin, both directed by Denis Podalydès.
comedy-ballet by Molière
directed by Valérie Lesort and Christian Hecq
Richelieu
Available soonby Agatha Christie
directed by Lilo Baur
translated by Serge Bagdassarian and Lilo Baur
Vx-Colombier
Available soonby Agatha Christie directed by Lilo Baur translated by Serge Bagdassarian and Lilo Baur
Vx-Colombier
comedy-ballet by Molière directed by Valérie Lesort and Christian Hecq
Richelieu
after Hector Malot directed by Léna Bréban
Joli-Cœur et Mattia
Vx-Colombier
by Molière directed by Lilo Baur
Cléante, fils d'Harpagon, amant de Mariane
Richelieu
by Molière Directed by Denis Podalydès
Léandre, fils de Géronte et amant de Zerbinette (alternating)
Richelieu
Le Chien - Les Contes du chat perché
by Marcel Aymé Directed by Raphaëlle Saudinos and Véronique Vella
le Chat
Studio
Comedy-ballet by Molière Directed by Valérie Lesort and Christian Hecq
Maître d'armes et manipulation de marionnettes (alternating)
Richelieu
by Georges Feydeau Directed by Lilo Baur
Camille Chandebise
Richelieu
by Molière Directed by Lilo Baur
Cléante, fils d'Harpagon, amant de Mariane
Richelieu
Le Chien - Les Contes du chat perché
by Marcel Aymé directed by Raphaëlle Saudinos et Véronique Vella
le Chat
Studio
by Georg Büchner Directed by Simon Delétang
Collot d’Herbois, membre du Comité de salut public et Hérault-Séchelles, député
Richelieu
by Georges Feydeau Directed by Lilo Baur
Camille Chandebise
Richelieu
by Bertolt Brecht Directed by Éric Ruf
Andrea Sarti et Moine
Richelieu
Comedy-ballet by Molière Directed by Valérie Lesort and Christian Hecq
Maître d'armes et manipulation de marionnettes
Richelieu
by Molière Directed by Denis Podalydès
Léandre (Alternating)
Richelieu
by Molière Directed by Lilo Baur
Cléante, fils d'Harpagon, amant de Mariane
Richelieu
by Hector Malot directed by Léna Bréban
Joli-Coeur et Mattia
Vx-Colombier
d'Ingmar Bergman Mise en scène Julie Deliquet
Alexandre, fils d’Oscar et Emilie
Richelieu
Comédie-ballet de Molière Mise en scène Valérie Lesort et Christian Hecq
Maître d'armes et manipulation de marionnettes
Richelieu
de Georges Feydeau Mise en scène Lilo Baur
Camille Chandebise
Richelieu
Life of Galileo by Bertolt Brecht Directed by Éric Ruf
Andrea Sarti et Moine
Richelieu
A Flea in her ear by Georges Feydeau Directed by Lilo Baur
Camille Chandebise
Richelieu
Life of Galileo by Bertolt Brecht Directed by Éric Ruf
Andrea Sarti et Moine
Richelieu
Fanny and Alexander by Ingmar Bergman Directed by Julie Deliquet
Alexandre, fils d’Oscar et Emilie
Richelieu
Scapin The Schemer by Molière Directed by Denis Podalydès
Léandre (Alternating)
Richelieu
Lucrezia Borgia by Victor Hugo Directed by Denis Podalydès
Don Apostolo (Alternating)
Richelieu
The Awakening of Spring by Frank Wedekind Directed by Clément Hervieu-Léger
Otto et Ruprecht
Richelieu
Les Journées particulières (Special...
Into the Repertoire time machine
Vx-Colombier
La Comédie-Française lance la troisième édition du Salon des métiers du spectacle vivant en visioconférence ! La Comédie-Française est une véritable ruche de près de 80 métiers exercés par 450 personnes qui fabriquent chaque élément des 25 spectacles qu’elle présente chaque saison. Venez les découvrir !
POUR LA SAISON 24-25
En raison du renforcement des mesures de sécurité dans le cadre du plan Vigipirate « Urgence attentat », nous vous demandons de vous présenter 30 minutes avant le début de la représentation afin de faciliter le contrôle.
Nous vous rappelons également qu’un seul sac (de type sac à main, petit sac à dos) par personne est admis dans l’enceinte des trois théâtres de la Comédie-Française. Tout spectateur se présentant muni d’autres sacs (sac de courses, bagage) ou objets encombrants, se verra interdire l’entrée des bâtiments.