pensionnaire
Pauline Clément trained at the Cours Florent, the Conservatoire of the 8th arrondissement in Paris and the School of the Studio d’Asnières. In 2006, she played in Les Quatre filles du docteur Chekhov, a play written, directed and co-interpreted by Eugénie de Bohent. She then interpreted La Ballade de Jack et Jane, together with its author and director Frédéric Losseroy.
Louise Lévêque cast her in several pieces, such as Les salamandres dansent after texts written by Marina Tsvetaeva; Pantagruel, le banquet spectacle after Rabelais; and Goethe’s Urfaust. In 2007, Sophie Engel selected her to play in Botho Strauss’s Visages connus, sentiments mêlés.
In 2011, Pauline Clément trained with Gérard Desarthe, Laurent Natrella, Caroline Marcadé and Yvo Mentens at the Conservatoire national supérieur d’art dramatique. In 2013, she played in Dostoyevsky’s The Dream of a Ridiculous Man directed by Élise Lhomeau.
In 2014, she played in Berliner Mauer: vestiges, a collective creation directed by Jade Herbulot and Julie Bertin. The same year, she appeared on stage by herself in Comme la lune, a piece written and directed by Bertrand Usclat.
Pauline Clément joined the Comédie-Française as pensionnaire on the 8th of December 2015. She made her debut in Karl Kraus’ The Last Days of Mankind directed by David Lescot. In 2016, Giorgio Barberio Corsetti cast her as Nonancourt’s daughter Hélène, in Eugene Labiche’s An Italian Straw Hat (Un chapeau de paille d’Italie), while Anne Kessler entrusted her with the Prostitute’s part in Arthur Schnitzler’s La Ronde. The following year, under the direction of Christiane Jatahy she interpreted Jacqueline in The Rules of the Game (La Règle du jeu) after Jean Renoir’s screenplay, followed by the role of Victoire, Pinglet’s chamber maid, in George Feydeau’s The Free Exchange Hotel (L’Hôtel du Libre-Échange) by Isabelle Nanty. Denis Podalydès cast her as Hyacinte in Les Fourberies de Scapin by Molière.
Outside the Comédie-Française, Pauline Clément is part of a collective of comedians Yes Vous Aime, which broadcasts on the Internet.
She has appeared in two short films by Guillaume Cremonese and Bertrand Usclat, Amer and Partie fine. In 2016, she was part of the cast of the movie C’est la Vie! (Le Sens de la fête) by Olivier Nakache and Éric Tolédano and, in 2017, she was in Lola et ses frères, a feature film by Jean-Paul Rouve.
During the 2018/2019 season, Pauline Clément plays in Les Oubliés (Alger-Paris) written and directed by Julie Berton and Jade Herbulot – Le Birgit Ensemble and in the rerun of Feydeau’s The Free Exchange Hotel (L’Hôtel du Libre-Échange) by Isabelle Nanty.
by Anton Tchekhov
directed by Clément Hervieu-Léger
translated by André Markowicz and Françoise Morvan
Richelieu
Sold outby Anton Tchekhov directed by Clément Hervieu-Léger translated by André Markowicz and...
Douniacha, la bonne (alternately)
Richelieu
by Molière directed by Lilo Baur
Élise, fille d'Harpagon, amante de Valère (alternately)
Richelieu
Created and directed by Serge Bagdassarian and Marina Hands
Richelieu
ON TOUR / Jean-Baptiste, Madeleine,...
after Molière Directed by Julie Deliquet
Catherine Leclerc du Rosé, dite Mlle De Brie
On tour
by Georges Feydeau Directed by Lilo Baur
Lucienne Homénidès de Histangua
On tour
by Georges Feydeau Directed by Lilo Baur
Lucienne Homénidès de Histangua
Richelieu
by Molière Directed by Lilo Baur
Élise, fille d'Harpagon, amante de Valère (en alt.)
Richelieu
by Georges Feydeau Directed by Lilo Baur
Lucienne Homénidès de Histangua
Richelieu
by Anton Tchekhov Directed by Clément Hervieu-Léger
Douniacha, la bonne (alternating)
Richelieu
Jean-Baptiste, Madeleine, Armande et...
after Molière Directed by Julie Deliquet
Catherine Leclerc du Rosé, dite Mlle De Brie
Richelieu
Jean-Baptiste, Madeleine, Armande et...
after Molière Directed by Julie Deliquet
Catherine Leclerc du Rosé, dite Mlle De Brie
Richelieu
Le Sicilien ou l'Amour peintre
by Molière artistic direction by Nicolas Lormeau
Isidore, Grecque, esclave de Don Pèdre / Climène, sœur d’Adraste
de Georges Feydeau Mise en scène Lilo Baur
Lucienne Homénidès de Histangua
Richelieu
"Electra / Orestes" by Euripide Directed by Ivo van Hove
Hermione (alternately)
Richelieu
"Scapin The Schemer" by Molière Directed by Denis Podalydès
Hyacinte (alternately)
Richelieu
A Flea in her ear by Georges Feydeau Directed by Lilo Baur
Lucienne Homénidès de Histangua
Richelieu
The Free Exchange Hotel by Georges Feydeau Directed by Isabelle Nanty
Victoire, femme de chambre de Pinglet
Richelieu
The Forgotten Ones [Algiers-Paris] Writed and directed by Julie Bertin and Jade...
Alice Legendre, la mariée (2019)
Vx-Colombier
The Awakening of Spring by Frank Wedekind Directed by Clément Hervieu-Léger
Martha Bessel
Richelieu
The Rules of the Game based on the screenplay by Jean Renoir Directed by Christiane...
Jacqueline
Richelieu
The Free Exchange Hotel by Georges Feydeau Directed by Isabelle Nanty
Victoire, femme de chambre de Pinglet
Richelieu
Scapin The Schemer by Molière Directed by Denis Podalydès
Hyacinte (alternating)
Richelieu
The Free Exchange Hotel by Georges Feydeau Directed by Isabelle Nanty
Victoire, femme de chambre de Pinglet
Richelieu
The Rules of the Game after the screenplay by Jean Renoir Directed by Christiane Jatahy
Jacqueline
Richelieu
by Arthur Schnitzler Directed by Anne Kessler
La Prostituée
Vx-Colombier
Readings of contemporary authors
Vx-Colombier
Into the Repertoire time machine
Vx-Colombier
An Italian Straw Hat by Eugène Labiche Directed by Giorgio Barberio Corsetti
Hélène, fille de Nonancourt
Richelieu
by Léo Ferré Directed by Claude Mathieu
Studio
Les Derniers jours de l'humanité
The Last Days of Mankind by Karl Kraus Directed by David Lescot
Vx-Colombier
La Comédie-Française lance la troisième édition du Salon des métiers du spectacle vivant en visioconférence ! La Comédie-Française est une véritable ruche de près de 80 métiers exercés par 450 personnes qui fabriquent chaque élément des 25 spectacles qu’elle présente chaque saison. Venez les découvrir !
POUR LA SAISON 24-25
En raison du renforcement des mesures de sécurité dans le cadre du plan Vigipirate « Urgence attentat », nous vous demandons de vous présenter 30 minutes avant le début de la représentation afin de faciliter le contrôle.
Nous vous rappelons également qu’un seul sac (de type sac à main, petit sac à dos) par personne est admis dans l’enceinte des trois théâtres de la Comédie-Française. Tout spectateur se présentant muni d’autres sacs (sac de courses, bagage) ou objets encombrants, se verra interdire l’entrée des bâtiments.