Alone on stage [Hamlet, Aside]
Shakespeare and others...
Concepted and performed by Loïc Corbery
Studio
Studio
Singulis / (HAMLET, à...
2019-02-06 20:30:00 2019-02-24 20:30:00
Hamlet is alone. Alone with this secret, with his grief, alone with his ghosts. Loïc Corbery confronts the solitude of a character with that of the actor attempting to play him. Alone with Hamlet, in front of the audience.
It’s a stage direction. One of many in the play that, each in its own way, mentions the solitude that Shakespeare imposes on Hamlet. A natural path laid out for Loïc Corbery to follow in this alone-on-stage performance. Because at night, on the ramparts of Elsinore castle, his father’s ghost tells him that he was murdered by his own brother Claudius, Hamlet will seek to expose the murder perpetrated by this uncle whom he abhors since he has married his mother and usurped the throne. “Whether ‘tis nobler in the mind to suffer the slings and arrows of outrageous fortune, or to take arms against a sea of troubles and by opposing end them?”
Hamlet is alone. Alone with this secret, with his grief, alone with his ghosts. Loïc Corbery follows the rules of the Singulis format to the letter and confronts the solitude of a character with that of the actor attempting to play him. Alone with Hamlet, in front of the audience. In this shared journey, he explores, beyond myth and history, a piece of pure poetry – made of doubts and revolt, violence and mystery. In seeking out his identity, like all the great figures in the repertoire, Hamlet speaks only of theatre in his tragic story. He defines it as the matrix of truth. The stage as the only place where you speak truthfully, where you exist truthfully. And this is where Shakespeare has placed some of his most beautiful monologues, where the rational goes hand-to-hand against the supernatural. (Hamlet alone); (All except Hamlet); (Hamlet reading); (Hamlet, aside)... Waiting for Hamlet, hearing him and, from him, conjuring characters and poets in the imagination, to talk a little about oneself.
NEW PRODUCTION
Concepted and performed by: Loïc Corbery
2019-02-06 20:30:00
2019-02-06 20:30:00
de 9 à 25 €
2019-02-07 20:30:00
2019-02-07 20:30:00
de 9 à 25 €
2019-02-08 20:30:00
2019-02-08 20:30:00
de 9 à 25 €
2019-02-09 20:30:00
2019-02-09 20:30:00
de 9 à 25 €
2019-02-10 20:30:00
2019-02-10 20:30:00
de 9 à 25 €
2019-02-13 20:30:00
2019-02-13 20:30:00
de 9 à 25 €
2019-02-14 20:30:00
2019-02-14 20:30:00
de 9 à 25 €
2019-02-15 20:30:00
2019-02-15 20:30:00
de 9 à 25 €
2019-02-16 20:30:00
2019-02-16 20:30:00
de 9 à 25 €
2019-02-17 20:30:00
2019-02-17 20:30:00
de 9 à 25 €
2019-02-20 20:30:00
2019-02-20 20:30:00
de 9 à 25 €
2019-02-21 20:30:00
2019-02-21 20:30:00
de 9 à 25 €
2019-02-22 20:30:00
2019-02-22 20:30:00
de 9 à 25 €
2019-02-23 20:30:00
2019-02-23 20:30:00
de 9 à 25 €
2019-02-24 20:30:00
2019-02-24 20:30:00
de 9 à 25 €
La Comédie-Française lance la troisième édition du Salon des métiers du spectacle vivant en visioconférence ! La Comédie-Française est une véritable ruche de près de 80 métiers exercés par 450 personnes qui fabriquent chaque élément des 25 spectacles qu’elle présente chaque saison. Venez les découvrir !
POUR LA SAISON 24-25
En raison du renforcement des mesures de sécurité dans le cadre du plan Vigipirate « Urgence attentat », nous vous demandons de vous présenter 30 minutes avant le début de la représentation afin de faciliter le contrôle.
Nous vous rappelons également qu’un seul sac (de type sac à main, petit sac à dos) par personne est admis dans l’enceinte des trois théâtres de la Comédie-Française. Tout spectateur se présentant muni d’autres sacs (sac de courses, bagage) ou objets encombrants, se verra interdire l’entrée des bâtiments.