“I keep looking for new spaces from inside my cage. The closest I think I am to the enigma, the further I get. After walking the empty stage, I sit in the audience like a viewer. Sometimes, it feels so beautiful this way that I remain seated for a long time. Why should I add a set? It would be like planting a sad building in the middle of a field of wild flowers. […] Feeling the emptiness is key, even from a sheet of paper. You need to use the margin, the surrounding space. Just like in nature, hurricanes and storms briefly flow through, changing the shape and colour of spaces. Violent clouds seem acute; curves grow back when the storm passes. The set draws a line between the ground and the sky in a monumental flourish.”

Richard Peduzzi, Je l’ai déjà joué demain (I Already Played Tomorrow)

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